Press "Enter" to skip to content

PianoText: Redesigning the Piano Keyboard for Text Entry

Anna Maria Feit, Antti Oulasvirta: PianoText: Redesigning the Piano Keyboard for Text Entry. In: Conference on Designing Interactive Systems, ACM, 2014, ISBN: 978-1-4503-2902-6.

Abstract

Inspired by the high keying rates of skilled pianists, we study the design of piano keyboards for rapid text entry. We review the qualities of the piano as an input device, observing four design opportunities: 1) chords, 2) redundancy (more keys than letters in English), 3) the transfer of musical skill and 4) optional sound feedback. Although some have been utilized in previous text entry methods, our goal is to exploit all four in a single design. We present PianoText, a computationally designed mapping that assigns letter sequences of English to frequent note transitions of music. It allows fast text entry on any MIDI-enabled keyboard and was evaluated in two transcription typing studies. Both show an achievable rate of over 80 words per minute. This parallels the rates of expert Qwerty typists and doubles that of a previous piano-based design from the 19th century. We also design PianoText-Mini, which allows for comparable performance in a portable form factor. Informed by the studies, we estimate the upper bound of typing performance, draw implications to other text entry methods, and critically discuss outstanding design challenges.

BibTeX (Download)

@inproceedings{Feit2014,
title = {PianoText: Redesigning the Piano Keyboard for Text Entry},
author = {Anna Maria Feit and Antti Oulasvirta},
url = {http://annafeit.de/pianotext},
doi = {10.1145/2598510.2598547},
isbn = {978-1-4503-2902-6},
year  = {2014},
date = {2014-01-01},
urldate = {2014-01-01},
booktitle = {Conference on Designing Interactive Systems},
publisher = {ACM},
series = {DIS '14},
abstract = {Inspired by the high keying rates of skilled pianists, we study the design of piano keyboards for rapid text entry. We review the qualities of the piano as an input device, observing four design opportunities: 1) chords, 2) redundancy (more keys than letters in English), 3) the transfer of musical skill and 4) optional sound feedback. Although some have been utilized in previous text entry methods, our goal is to exploit all four in a single design. We present PianoText, a computationally designed mapping that assigns letter sequences of English to frequent note transitions of music. It allows fast text entry on any MIDI-enabled keyboard and was evaluated in two transcription typing studies. Both show an achievable rate of over 80 words per minute. This parallels the rates of expert Qwerty typists and doubles that of a previous piano-based design from the 19th century. We also design PianoText-Mini, which allows for comparable performance in a portable form factor. Informed by the studies, we estimate the upper bound of typing performance, draw implications to other text entry methods, and critically discuss outstanding design challenges.},
keywords = {},
pubstate = {published},
tppubtype = {inproceedings}
}